Timing for animation / (Record no. 530882)
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| fixed length control field | 06308cam a2200517Ia 4500 |
| 001 - CONTROL NUMBER | |
| control field | ocn500575215 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20180529114503.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 100118s2009 ne a ob 001 0 eng d |
| 019 ## - | |
| -- | 368029736 |
| -- | 445421938 |
| -- | 646827873 |
| -- | 712985879 |
| -- | 961011036 |
| -- | 961152261 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780240521602 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 0240521609 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780080951720 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 0080951724 |
| Qualifying information | (electronic bk.) |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)500575215 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DLC |
| Language of cataloging | eng |
| Transcribing agency | DLC |
| Modifying agency | AU |
| 049 ## - LOCAL HOLDINGS (OCLC) | |
| Holding library | Alfaisal Main Library |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | TR897.5 |
| Item number | .W63 2009 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Whitaker, Harold, |
| Dates associated with a name | 1920-2013. |
| 245 10 - TITLE STATEMENT | |
| Title | Timing for animation / |
| Statement of responsibility, etc | Harald Whitaker and John Halas ; updated by Tim Sito. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 2nd ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | Amsterdam ; |
| -- | Boston ; |
| -- | London : |
| Name of publisher, distributor, etc | Elsevier/Focal Press, |
| Date of publication, distribution, etc | 2009. |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS | |
| Date of production, publication, distribution, manufacture | 2009. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (xv, 157 pages) : |
| Other physical details | illustrations (some color) |
| 336 ## - CONTENT TYPE | |
| Content Type Term | text |
| Content Type Code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media Type Term | computer |
| Media Type Code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier Type Term | online resource |
| Carrier Type Code | cr |
| Source | rdacarrier |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | A classic of animation education since it first published in 1981. Copies of Timing for Animation have been sitting dog-eared and spine-split on desks and workstations around the world, wherever animation is produced for more than 25 years. All you need to breathe life into your animation is at your fingertips. All the vital techniques employed by animators worldwide are explained using dozens of clear illustrations and simple, straightforward directions. Learn how animations should be arranged in relation to each other, how much space should be used and how long each drawing should be shown for maximum dramatic effect. Fully revised and updated, the second edition includes timing for digital production, digital storyboarding in 2d, digital storyboarding in 3d, the use of After Effects and much, much more! * Animate it right first time with these tried and tested techniques by industry legends, Halas and Whitaker. The second edition is fully updated for digital workflows, by Tom Sito, animator of Beauty and the Beast and Shrek. * Get straight to the good stuff with simple, no-nonsense instruction on the key techniques like stretch and squash, animated cycles, overlapping, and anticipation. Learn how animations should be arranged in relation to each other, how much space should be used and how long each drawing should be shown for maximum dramatic effect. * Fully revised, in Full color and updated, the second edition includes timing for digital production, digital storyboarding in 2d, digital storyboarding in 3d, the use of After Effects and much, much more! |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | * denotes new material -- Foreword by John Lasseter -- * new preface -- Preface to 1981 edition -- What is good timing? -- The storyboard new illustration needed -- * Traditional hand drawn storyboards -- * Digital storyboarding in 2d -- * Digital storyboarding in 3d -- * The use of After-effects -- The Responsibility of the director (rewrite) -- The basic unit of time in animation (new illustration) -- * Timing for hand-drawn film -- * Timing for overseas production -- * Timing for digital production -- * Motion or Performance Capture -- Animation and properties of matter -- Movement and Caricature (new illustration) -- Cause and effect -- Newton's laws of motion -- Object's thrown through the air -- Timing of inanimate objects -- Force transmitted through a flexible joint -- Force transmitted through jointed limbs -- Spacing of drawings (some additional rewrite to take Digital into account -- new illustration needed) -- Timing a slow action -- Tiiming fast action new illustration needed -- getting into and out of holds * (some rewrite -- new illustration) -- Single frames or double frames? -- How long to hold? -- Anticipation -- Follow through -- Overlapping action new illustration needed -- Timing an oscillating movement -- Timing to suggest weight and force new illustration needed -- Timing to suggest force: repeat action -- Character reaction and takes -- Timing to give feeling of size new illustration needed (*New Japanese Anime examples) -- The effects of friction, air resistance and wind -- Timing cycles -- * Scenes with multiple characters -- * A word about Massive -- Effects animation: -- * 2D Hand drawn effects: flames and smoke -- Water -- Rain -- Snow -- Explosions -- * 3D Digital Effects -- repeat movements of inanimate objects (new illustration) -- Timing a walk -- Types of walk -- Spacing of drawings in perspective animation -- Timing animals' movements -- Bird flight -- * Speed lines, and motion blur new illustration needed -- * Snap Principle: Accentuating movement, (* some rewriting, new illustration) -- Strobing fast run cycles (new illustration) -- Characterisation (new illustration) -- The use of timing to suggest mood (new illustration) -- Synchronising animation to speech, (* some rewriting, new illustration) -- Lip-sync -- Timing and music -- * Camera movements: Traditional -- * Camera Movements: Digital -- * Edting for different animated media -- * Feature films -- * Television -- * Downloads and short form media games -- * Conclusions: Traditional skills and Future technological development. -- (Drop the Peter Foldes material. It looks thrown in and really dates the book.) -- * Index. |
| 500 ## - GENERAL NOTE | |
| General note | Previous edition: 1981. |
| 500 ## - GENERAL NOTE | |
| General note | Includes index. |
| 588 0# - | |
| -- | Print version record. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Safari Books Online |
| Provenance (VM) [OBSOLETE] | Safari Tech Books Online |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Elsevier |
| Provenance (VM) [OBSOLETE] | ScienceDirect All Books |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Animation (Cinematography) |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | PHOTOGRAPHY |
| General subdivision | Techniques |
| -- | Cinematography & Videography. |
| Source of heading or term | bisacsh |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | ART |
| General subdivision | Film & Video. |
| Source of heading or term | bisacsh |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Animation (Cinematography) |
| Source of heading or term | fast |
| -- | (OCoLC)fst00809628 |
| 655 #7 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| Source of term | local |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Halas, John. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Sito, Tom, |
| Dates associated with a name | 1956- |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | ScienceDirect eBooks. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Display text | Print version: |
| Main entry heading | Whitaker, Harold, 1920- |
| Title | Timing for animation. |
| Edition | 2nd ed. |
| Place, publisher, and date of publication | Amsterdam ; Boston ; London : Elsevier/Focal Press, 2009 |
| International Standard Book Number | 9780240521602 |
| -- | 0240521609 |
| Record control number | (OCoLC)373479148 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="http://ezproxy.alfaisal.edu/login?url=http://my.safaribooksonline.com/9780240521602?tocview=true">http://ezproxy.alfaisal.edu/login?url=http://my.safaribooksonline.com/9780240521602?tocview=true</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="http://ezproxy.alfaisal.edu/login?url=https://www.sciencedirect.com/science/book/9780240521602">http://ezproxy.alfaisal.edu/login?url=https://www.sciencedirect.com/science/book/9780240521602</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Library of Congress Classification |
| Koha item type | eBooks |
No items available.