MARC details
| 000 -LEADER |
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| fixed length control field |
03719cam a2200361 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1422225896 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20250506123759.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
240218s2024 enka b 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0500027420 |
| Qualifying information |
(hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780500027424 |
| Qualifying information |
(hardback) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1422225896 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
YDX |
| Modifying agency |
YDX |
| -- |
OCLCO |
| -- |
AUXAM |
| -- |
NYP |
| -- |
UOK |
| -- |
IG# |
| -- |
OCLCO |
| -- |
NZAUC |
| -- |
AU |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
Alfaisal Main Library |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ND1135 |
| Item number |
.G39 2024 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Gayford, Martin, |
| Dates associated with a name |
1952- |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
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| Title |
How painting happens : |
| Remainder of title |
(and why it matters) / |
| Statement of responsibility, etc |
Martin Gayford. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
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| Place of production, publication, distribution, manufacture |
London ; |
| -- |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Thames & Hudson Ltd, |
| Date of production, publication, distribution, manufacture |
©2024 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
384 pages |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
25 cm. |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
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| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
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| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Part I. Starting, finishing, and carrying on -- Starting -- The will to paint -- Singing better -- Good and bad -- and how and why -- It's so hard to finish -- Part II. Material matters -- Underneath the paint -- Ruben's recipes -- The brush dipping in the paint -- Marks of the hand -- Flesh and meat -- Part III. The continent of colour -- The red studio -- Engulfed in colour -- Painting in the key of D -- Drawing in colour -- Reimagining the body -- Part IV. Travelling in time and space -- Crossing continents, painting maps -- El Greco travels through time -- Making space -- Painting history -- Taking flight with Miró -- Part V. The camera, the stage, and the screen -- The brush and the lens -- Staging a painting -- Painting a collage -- Whose hand makes the mark? -- Part VI. Feelings and meanings -- Good, bad, ugly -- What does a Rothko mean? -- Beyond anything for feeling -- Is the clue in the title? -- Epilogue: the world in a picture, a painting as a world. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
"Painting is an almost inconceivably ancient activity that remains vigorously alive in the twenty-first century. Every successful painting creates a new world, which we inhabit for as long as we care to look at it. Paintings can incorporate profound ideas and paradoxes that can be grasped without words. For those who dedicate themselves to it, the art of painting can become an all-consuming, lifelong obsession. It is a subject on which painters themselves are often the most incisive commentators. Martin Gayford’s riveting and richly illustrated book deftly brings together numerous artists’ voices, past and present. It draws on a trove of conversations conducted over more than three decades with artists including Frank Auerbach, Gillian Ayres, Frank Bowling, Cecily Brown, Peter Doig, Lucian Freud, Katharina Fritsch, David Hockney, Claudette Johnson, R. B. Kitaj, Lee Ufan, Paula Rego, Gerhard Richter, Bridget Riley, Jenny Saville, Frank Stella, Luc Tuymans, Zeng Fanzhi, and many more. Here too is Vincent van Gogh on Rembrandt, John Constable on Titian, Francis Bacon on Velázquez, Lee Krasner on Pollock, and Jean-Michel Basquiat on Picasso. We hear the personal reflections of these artists on their chosen medium; how and why they paint; how they came to the practice; the influence of fellow painters; and how they find creative sustenance and inspiration in their art. How Painting Happens crosses the centuries to give us a wealth of insights into the endlessly compelling phenomenon of painters and painting."--Amazon.com. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Painting |
| General subdivision |
Appreciation. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Painting. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Painting |
| General subdivision |
History. |
| 655 #0 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Print books. |
| Source of term |
aat. |
| 9 (RLIN) |
4 |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Informational works. |
| Source of term |
lcgft. |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Interviews. |
| Source of term |
lcgft. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
BOOKS |
