Zaha Hadid's paintings (Record no. 608067)

MARC details
000 -LEADER
fixed length control field 02018nam a22002297a 4500
003 - CONTROL NUMBER IDENTIFIER
control field US-DLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251202073249.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 251202b |||||||| |||| 00| 0 eng d
040 ## - CATALOGING SOURCE
Original cataloging agency au
Language of cataloging eng
Transcribing agency au
049 ## - LOCAL HOLDINGS (OCLC)
Holding library Alfaisal Main Library
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number NA1469 .H33
Item number L87 2024
245 ## - TITLE STATEMENT
Title Zaha Hadid's paintings
Remainder of title imagining architecture
Statement of responsibility, etc Desley Luscombe (Author), Zaha Hadid
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc London,
Name of publisher, distributor, etc Lund Humphries
Date of publication, distribution, etc 2024
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS
Date of production, publication, distribution, manufacture 2024
300 ## - PHYSICAL DESCRIPTION
Extent 158 pages
336 ## - CONTENT TYPE
Source rdacontent
Content Type Term text
Content Type Code txt
337 ## - MEDIA TYPE
Source rdamedia
Media Type Term unmediated
Media Type Code n
338 ## - CARRIER TYPE
Source rdacarrier
Carrier Type Term volume
Carrier Type Code nc
520 ## - SUMMARY, ETC.
Summary, etc Zaha Hadid is widely regarded as a visionary and influential architect, who became globally acclaimed by the time of her untimely death in 2016. This book is the first to focus on how painting was fundamental to her practice. During the first 20 years of her career, she earned her reputation through ‘paper architecture’: projects which were widely published in architecture journals and exhibited, but which remained largely unbuilt. Influenced by the Suprematists, she used her paintings as design tools and abstraction as an investigative structure for imagining architecture. Drawing extensively on interviews with Hadid's contemporaries and her team of assistants and her past presentations and in-depth interviews, this book is the first to focus on the important aspect of Hadid’s work. It examines selected paintings in detail, both critically assessing them in the wider context of 20th-century fine art – in relation to the Suprematists, de Stijl, Cubism and Futurism – and offering insights into how Hadid used the paintings to develop architectural and spatial ideas, which she would later realise in her buildings. The paintings were created at a pivotal time in architecture, just before the move away from hand drawing to computers and many of Hadid’s paintings pre-empt the potential of digital and virtual reality." -Back cover<br/>
655 #0 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Print books.
Source of term local
9 (RLIN) 4
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type BOOKS
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type
    Library of Congress Classification     Alfaisal University Alfaisal University On Shelf 2025-12-02   NA1469 .H33 L87 2024 AU00000000020957 2025-12-02 715.00 2025-12-02 BOOKS

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