Includes bibliographical references and index.

Acknowledgements; Contents; List of Figures; Introduction; Chapter 1 Creative Practice Meets Ethnography; An Encounter; A Second Rendezvous: Non-Representational Approaches; Situating Creative Practice Strategies and Methods; Concerning Fiction and Experience; A Very Brief Conclusion; References; Chapter 2 Playing with Visual Vernaculars; Introduction; Using New Vernaculars for Participation; Building Rapport in Sensory Ways; Enacting Visuality Online and Offline; Concluding Remarks: Unfolding Creative Practices; References; Chapter 3 Performing Selfies with Smartphones; Introduction.

Chapter 8 Looking over Mobile Media, Creative Practice and EthnographyLooking Back; Looking Forward; References; Index.

Concluding Remarks: Creative Practice Through Improvisation and CollaborationReferences; Chapter 6 Evoking Narrative Landscapes with Mobile Media; Landscapes, Places, and Spaces; The Bigger Picture: Towards an Annotated Poetry Map; Dreaming of AR (Augmented Reality); An Ethnographic Tour: Choosing Special Places; Bollards by the Waterfront; Concluding Remarks; References; Chapter 7 Making Films and Video Art with Smartphones; Introduction; Evolving Practices; Emerging Forms; Changing Contexts; Adapting Agencies and Ambiguities; Concluding Comments; References.

Mirrors and FunctionsSee Me Now, Alive and Clicking; Through the Glass of Artistic Intentions; Back to the Looking Glass; References; Chapter 4 'Being There' with Smartphone Apps; Introduction; The Evocative and the Everyday; The Vitality of "Being There"; Living Together; Auratic Affects; Wayfaring Mindfully; Concluding Remarks; References; Chapter 5 Improvising and Collaborating Creatively with Social Media; Introduction; Poetry as Participatory Public Art; Rehearsed and Impromptu; A Chained Poem; A Participatory Mobile Media Art Project.

Access limited to UNC Chapel Hill-authenticated users. Unlimited simultaneous users.

Provider: ProQuest.

Vendor-supplied catalog record.