Television on demand : curatorial culture and the transformation of TV / MJ Robinson.
Publisher: New York : Bloomsbury Academic, 2017Description: xi, 246 pages ; 23 cmContent type:- text
- unmediated
- volume
- 9781441148094 (paperback)
- PN1992.3.U5 R63 2017
BOOKS
| Current library | Home library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
| Alfaisal University On Shelf | Alfaisal University On Shelf | PN1992.3.U5 R63 2017 (Browse shelf(Opens below)) | Available | AU00000000012104 |
Browsing Alfaisal University shelves, Shelving location: On Shelf Close shelf browser (Hides shelf browser)
|
|
|
|
|
|
|
||
| PN1992.3.U5 B355 2018 The business of television / | PN1992.3.U5 B57 2016 The platinum age of television : | PN1992.3.U5 M86 2018 Bright signals : | PN1992.3.U5 R63 2017 Television on demand : | PN1992.4.A2 S36 2017 It takes two : | PN1992.4.G35 A3 2017 Capital Gaines : | PN1992.4.N35 A3 2017 You don't look your age...and other fairy tales / |
Includes bibliographical references and index.
Machine generated contents note: -- Chapter 1: Channeling, Curatorial Culture, and the Transformation of Television -- Chapter 2: The Multichannel Environment, Spectrum Sale, and the Digital Conversion -- Chapter 3: Audiences without Pity -- Chapter 4: Nielsen and Its Discontents -- Chapter 5: The Death of the Daypart, Genre Hybridity, and Programming for an On-Demand World -- Chapter 6: Niche vs. Boutique at the Mall of TV -- Chapter 7: Channeling the Future -- Bibliography -- Index.
"The rise of a curatorial culture where viewers create their own entertainment packages and select from a buffet of viewing options and venues has caused a seismic shift for the traditional television industry. Television on Demand examines how we have reached this present moment, and considers the viable future of this crucial culture industry. Today's viewers their own viewing schedules, wait to watch entire seasons in marathon viewing sessions and stream shows to their mobile devices. Since the beginning of broadcasting, radio and television producers have pushed their shows to audiences in controlled environments that end in a discrete and quantifiable site to be transformed into advertising rates. While audiences clamor for more story-driven and scripted entertainment, their new viewing habits undermine the dominant economic structures that fund quality episodic series. This leads to an empowered audience that realizes its means of control of how it consumes media, as well as a new way of looking at the industry we have traditionally and currently call 'television.' "--
"Interrogates the challenges facing the producers and distributors of America's episodic television in a world that increasingly encourages and enables customized, on demand viewing"--