Thomas Cole's journey : Atlantic crossings / Elizabeth Mankin Kornhauser and Tim Barringer ; with Dorothy Mahon, Christopher Riopelle, and Shannon Vittoria.
Contributor(s): Kornhauser, Elizabeth Mankin | Barringer, T. J | Mahon, Dorothy | Riopelle, Christopher | Vittoria, Shannon | Metropolitan Museum of Art (New York, N.Y.) [issuing body,, host institution.] | National Gallery (Great Britain) [host institution.].
Publisher: New York : The Metropolitan Museum of Art, ©2018Distributor: New Haven ; London : Distributed by Yale University Press Description: 287 pages ; illustrations, maps ; 29 cm.Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781588396402 (hardcover).Subject(s): Cole, Thomas, 1801-1848 -- Exhibitions | Cole, Thomas, 1801-1848 -- Travel -- Exhibitions | Cole, Thomas, 1801-1848 -- Influence -- Exhibitions | Landscapes in art -- ExhibitionsGenre/Form: Print books.| Current location | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|
| On Shelf | ND237 .C6 A4 2018 (Browse shelf) | Available | AU00000000014056 |
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This catalogue is published in conjunction with "Thomas Cole's Journey: Atlantic Crossings" on view at The Metropolitan Museum of Art, New York, from January 30 through May 13, 2018, and at the National Gallery, London, from June 11 through October 7, 2018.
Includes bibliographical references (pages 275-279) and index.
Thomas Cole's Atlantic crossings / Tim Barringer -- Manifesto for an American sublime: Thomas Cole's The Oxbow / Elizabeth Mankin Kornhauser -- Thomas Cole and the landscape oil sketch / Christopher Riopelle -- Thomas Cole's The Oxbow and The Consummation of Empire: a technical comparison / Dorothy Mahon -- Catalogue -- Chronology / Shannon Vittoria.
Thomas Cole (1801-1848), arguably the greatest American landscape artist of his generation, is presented here in a new light: as an international figure, born in England, and in dialogue with the major landscape painters of the age, including J.M.W. Turner and John Constable. Cole traveled in Europe from 1829 to 1832. Thomas Cole's Journey reexamines his seminal works of 1832-36--notably The Oxbow and Course of Empire--as a culminating response to his experiences of British art and society and of Italian landscape painting. These, combined with Cole's passion for the American wilderness and his horror of the industrial revolution in Britain, led him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States and the ecological changes then underway. This groundbreaking book also discusses Cole's influence on later artists, from Frederic Edwin Church to Ed Ruscha.