TY  - BOOK
AU  - Smith,Clare
ED  - SpringerLink (Online service)
TI  - Jack the Ripper in Film and Culture: Top Hat, Gladstone Bag and Fog 
T2  - Crime Files
SN  - 9781137599995
AV  - PN851-884 
U1  - 809 23
PY  - 2016///
CY  - London
PB  - Palgrave Macmillan UK, Imprint: Palgrave Macmillan
KW  - Literature
KW  - Motion pictures
KW  - History
KW  - Civilization
KW  - Comparative literature
KW  - History and criticism
KW  - Technology in literature
KW  - Comparative Literature
KW  - Literary History
KW  - Literature and Technology/Media
KW  - Film History
KW  - Cultural History
KW  - Electronic books
KW  - local
N1  - Introduction -- Chapter 1. Historical and Cultural Context -- Chapter 2. Psychoanalytical Approach -- Chapter 3. Feminist Film Theory -- Chapter 4 Jack the Ripper -- Chapter 5. The Detective -- Chapter 6. The Victims -- Chapter 7. Whitechapel -- Conclusion -- Bibliography -- Filmography
N2  - In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders –Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen.
UR  - http://ezproxy.alfaisal.edu/login?url=http://dx.doi.org/10.1057/978-1-137-59999-5
ER  -