05869cam a22003737a 4500 18158034 OSt 20161026150748.0 140520s2013 stka b 001 0 eng d 2013454930 9780748669226 (hbk.) (OCoLC)ocn851254642 YDXCP YDXCP BTCTA UKMGB BDX CAM YNK DGU CHVBK OCLCF LOA CUS DLC lccopycat a------ f------ e------ Alfaisal Main Library NK3636.5 .C34 2013 Calligraphy and architecture in the Muslim world / edited by Mohammad Gharipour and İrvin Cemil Schick. Edinburgh : Edinburgh University Press, c2013. xii, 532 p. : ill. (chiefly col.) ; 30 cm. Includes bibliographical references and index. Introduction; Part A: Sites; 1. Inscribing the Square: The Inscriptions on the Maidan-i Shah in Isfahan, Sheila S. Blair; 2. Speaking Architecture: Poetry and Aesthetics in the Alhambra Palace, Jose Miguel Puerta Vilchez; 3. The Arabic Calligraphy on the Ceiling of the Twelfth-Century Cappella Palatina in Palermo, Sicily: Function and Identity, Hashim Al-Tawil; 4. Wall-Less Walls: The Calligraphy at the Hadzi Sinanova Tekija in Sarajevo, Snjezana Buzov; 5. Survey -- The Qur'anic Inscriptions Monument From Jam, Afghanistan, Ulrike-Christiane Lintz; -- Part B: Style vs. Content; 6. Multi-Sensorial Messages of the Divine and the Personal: Qur'an Inscriptions and Recitation in Sixteenth-Century Ottoman Mosques in Istanbul, Nina Ergin; 7. The Revival of Kufi Script During the Reign of Sultan Abdulhamid II, Irvin Cemil Schick; 8. Calligraphy in Chinese Mosques: At the Intersection of Arabic and Chinese Calligraphy, Barbara Stocker-Parnian; 9. Qur'anic Verses on Works of Architecture: The Ottoman Case, Murat Sulun; 10. Reading Qajar Epigraphs: Case Studies from Shiraz and Isfahan, Bavand Behpoor -- Part C: Patronage; 11. 'The Pen Has Extolled Her Virtues': Gender and Power within the Visual Legacy of Shajar al-Durr in Cairo, Caroline Olivia M. Wolf; 12. Sovereign Epigraphy in Location: Politics, Devotion and Legitimisation around the Qusb Minar, Delhi, Johanna Blayac; 13. Archival Evidence on the Commissioning of Architectural Calligraphy in the Ottoman Empire, Talip Mert; 14. On the Renewal of the Calligraphy at the Mosque of the Prophet (al-Masjid al-Nabawi) under the Reign of Sultan Abdulmecid, Hilal Kazan; 15. Fasimid Kufi Epigraphy on the Gates of Cairo: Between Royal Patronage and Civil Utility, Bahia Shehab -- Part D: Artists; 16. An Art Ambassador: The Inscriptions of 'Ali Reza' Abbasi, Saeid Khaghani; 17. Mustafa Rakim Efendi's Architectural Calligraphy, Suleyman Berk; 18. Yesarizade Mustafa Izzet Efendi and his Contributions to Ottoman Architectural Calligraphy, M. Ugur Derman; 19. The Visual Interpretation of Nasta'liq in Architecture: Mirza Gholam Reza's Monumental Inscriptions for the Sepahsalar Mosque in Tehran, Sina Goudarzi -- Part E: Regional; 20. Ma'qili Inscriptions on the Great Mosque of Mardin: Stylistic and Epigraphic Contexts, Tehnyat Majeed; 21. The Composition of Kufi Inscriptions in Transitional and Early-Islamic Architecture of North Khurasan, Nasiba S. Baimatowa; 22. Space and Calligraphy in the Chinese Mosque, Sadiq Javer; 23. Medium and Message in the Monumental Epigraphy of Medieval Cairo, Bernard O'Kane; 24. Allegiance, Praise and Space: Monumental Inscriptions in Thirteenth-Century Anatolia as Architectural Guides, Patricia Blessing; 25. Symmetrical Compositions in Pre-Ottoman and Ottoman Architectural Inscriptions in Asia Minor, Abdulhamit Tufekcioglu -- Part F: Modernity; 26. Writing Less, Saying More: Calligraphy and Modernisation in the Last Ottoman Century, Edhem Eldem; 27. The Absence and Emergence of Calligraphy in Najd: Calligraphy as a Modernist Component of Architecture in Riyadh, Sumayah Al-Solaiman; 28. Cairo to Canton and Back: Tradition in the Islamic Vernacular, Ann Shafer. "This book explores the myriad interactions between calligraphy and architecture throughout the history of the Muslim world. From Spain to China, Islamic architecture and calligraphy are inexorably intertwined. Mosques, dervish lodges, mausolea, libraries, even baths and marketplaces bear masterpieces of calligraphy that rival the most refined books and scrolls. This major reference work focuses on architectural inscriptions throughout the Muslim world, some going back to the Middle Ages, others dating from our own lifetime. What were the purposes of these inscriptions? How do they infuse buildings with culturally specific meanings, sacred or profane? What do they add to architectural design? What sorts of materials were used, and how do they interact with light and space? Who were their patrons, and what do we know about the artists who produced them? You can find out with this exciting new collection written by a stellar cast of international contributors. It features 28 case studies explain different aspects and contexts of calligraphy in Islamic architecture. It is geographically wide-ranging - covers North Africa, the Middle East, South Asia, China and Spain. It takes an interdisciplinary approach to analysing calligraphy as part of its larger spatial-architectural context. It is lavishly illustrated with 400 colour images." Architectural inscriptions. Decoration and ornament, Architectural. Islamic architecture. Islamic calligraphy. Islamic decoration and ornament. Print books. local Gharipour, Mohammad. Schick, İrvin C. (İrvin Cemil) lcc BOOKS Edinburgh : Edinburgh University Press, c2013. 7285 7285 0 0 lcc 0 0 AU AU GEN 2015-02-12 0 NK3636.5 .C34 2013 AUF000000000376 2015-02-12 00:00:00 1425.00 2015-02-12 BOOKS