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Tonality as drama [electronic resource] : closure and interruption in four twentieth-century American operas / Edward D. Latham.

By: Contributor(s): Publication details: Denton, Tex. : University of North Texas Press, c2008.Description: xv, 221 p. : illISBN:
  • 9781574412499 (cloth : alk. paper)
Subject(s): Genre/Form: DDC classification:
  • 782.10973 22
LOC classification:
  • MT95 .L37 2008eb
Online resources:
Contents:
Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).
Item type: eBooks
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Includes bibliographical references (p. 193-210) and index.

Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).

Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.

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