21st Century Perspectives on Music, Technology, and Culture [electronic resource] : Listening Spaces / edited by Richard Purcell, Richard Randall.

Contributor(s):

Series: Pop Music, Culture and IdentityPublisher: London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan, 2016Description: XI, 204 p. online resourceContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781137497604

Subject(s):

Genre/Form:

Electronic books.

Additional physical formats: Printed edition:: No titleDDC classification:

780 23

LOC classification:

M1-960

Online resources:

Click here to access online

In: Springer eBooksSummary: This collection examines the multiple ways people listen to, consume, and produce music and sound in an increasingly digital world. Technologies such as social networks, recommendation algorithms, virtual cloud storage, and portable listening devices increasingly mediate both personal and communal experiences with music. While such technologies may be convenient, their unexamined use raises ethical, socio-political, and philosophical questions. This volume brings together multiple contributions which engage with these questions and others posed by emergent musical and social technologies. Drawing upon a range of different areas of inquiry, it provides a varied critical approach to the question of how people interact with music in the modern era and debates the universal themes of modern music consumption.

Item type:

eBooks

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This collection examines the multiple ways people listen to, consume, and produce music and sound in an increasingly digital world. Technologies such as social networks, recommendation algorithms, virtual cloud storage, and portable listening devices increasingly mediate both personal and communal experiences with music. While such technologies may be convenient, their unexamined use raises ethical, socio-political, and philosophical questions. This volume brings together multiple contributions which engage with these questions and others posed by emergent musical and social technologies. Drawing upon a range of different areas of inquiry, it provides a varied critical approach to the question of how people interact with music in the modern era and debates the universal themes of modern music consumption.

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