Creativity — A New Vocabulary [electronic resource] / edited by Vlad Petre Glăveanu, Lene Tanggaard, Charlotte Wegener.
Series: Palgrave Studies in Creativity and CulturePublisher: London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan, 2016Description: XIV, 193 p. online resourceContent type:- text
- computer
- online resource
- 9781137511805
- 370.15 23
- LB1050.9-1091

The Importance of Being a Vocabulary; Jaan Valsiner -- Chapter 1. Why Do We Need a New Vocabulary for Creativity?; Vlad Petre Glăveanu, Lene Tanggaard and Charlotte Wegener -- Chapter 2. Affordance; Vlad Petre Glăveanu -- Chapter 3. Business as Usual; Kristian Dahl and Lene Tanggaard -- Chapter 4. Craft; Vlad Petre Glăveanu -- Chapter 5. Difference; Vlad Petre Glăveanu -- Chapter 6. Fear; Luca Tateo -- Chapter 7. Language; Carolin Demuth and Vlad Petre Glăveanu -- Chapter 8. Lostness; Charlotte Wegener -- Chapter 9. Memory; Brady Wagoner and Vlad Petre Glăveanu -- Chapter 10. Mess; Lene Tanggard and Tue Juelsbo -- Chapter 11. Mirroring; Charlotte Wegener -- Chapter 12.Pathways; Lene Tanggard -- Chapter 13. Perspective; Vlad Petre Glăveanu -- Chapter 14. Power; Claus Elmholdt and Marten Fogsgaard -- Chapter 15. Reflexivity; Constance de Saint-Laurent and Vlad Petre Glăveanu -- Chapter 16. Rhythm; Vlad Petre Glăveanu -- Chapter 17. Rules; Tues Juelsbo -- Chapter 18. Space; Nikita A. Kharlamov -- Chapter 19. Stumbling; Lene Tanggaard -- Chapter 20 Things; Vlad Petre Glăveanu -- Chapter 21 Translation; Vlad Petre Glăveanu -- Chapter 22. Upcycling; Charlotte Wegener.
Creativity — A New Vocabulary proposes a novel approach to the way in which we talk and think about creativity. It covers a variety of topics not commonly associated with creativity that offer us valuable insights and open up new and exciting possibilities for creative action. This collection of essays challenges the 'traditional' vocabulary of creativity and its preference for individuals, brains, cognition, personality, divergent thinking, insight, and problem solving. Instead, the book proposes a more dynamic and relational perspective that considers creativity as an embodied, social, material, and cultural process. This book will be useful for a wide range of specialists within the humanities and social sciences, as well as practitioners from applied fields who are looking for novel ways of thinking about and doing creative work.