000			02114nam a22006135i 4500
001			978-1-137-50253-7
003			DE-He213
005			20160615101041.0
007			cr nn 008mamaa
008			160126s2016 xxu| s |||| 0|eng d
020			_a9781137502537 _9978-1-137-50253-7
024	7		_a10.1057/9781137502537 _2doi
049			_aAlfaisal Main Library
050		4	_aD13-D15
072		7	_aHBAH _2bicssc
072		7	_aHIS016000 _2bisacsh
082	0	4	_a907.2 _223
100	1		_aJelača, Dijana. _eauthor.
245	1	0	_aDislocated Screen Memory _h[electronic resource] : _bNarrating Trauma in Post-Yugoslav Cinema / _cby Dijana Jelača.
264		1	_aNew York : _bPalgrave Macmillan US : _bImprint: Palgrave Macmillan, _c2016.
300			_aXII, 275 p. _bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	1		_aGlobal Cinema
520			_aThe links between cinema and war machines have long been established. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia.
650		0	_aHistory.
650		0	_aMotion pictures _xHistory.
650		0	_aArts.
650		0	_aHistoriography.
650		0	_aCivilization _xHistory.
650		0	_aSociology.
650		0	_aEthnicity.
650		0	_aSex (Psychology).
650		0	_aGender expression.
650		0	_aGender identity.
650	1	4	_aHistory.
650	2	4	_aMemory Studies.
650	2	4	_aCultural History.
650	2	4	_aGender Studies.
650	2	4	_aFilm History.
650	2	4	_aEthnicity Studies.
650	2	4	_aArts.
655		7	_aElectronic books. _2local
710	2		_aSpringerLink (Online service)
773	0		_tSpringer eBooks
776	0	8	_iPrinted edition: _z9781349558872
830		0	_aGlobal Cinema
856	4	0	_uhttp://ezproxy.alfaisal.edu/login?url=http://dx.doi.org/10.1057/9781137502537
912			_aZDB-2-SLS
942			_2lcc _cEBOOKS
999			_c256571 _d256571