| 000 | 03323cam a2200325Ii 4500 | ||
|---|---|---|---|
| 999 |
_c595742 _d595742 |
||
| 001 | 772692257 | ||
| 003 | US-DLC | ||
| 005 | 20200113090456.0 | ||
| 008 | 120113s2012 enka b 001 0 eng d | ||
| 020 | _a9781856697965 | ||
| 020 | _z1856697967 | ||
| 035 | _a(OCoLC)772692257 | ||
| 040 |
_aYDXCP _beng _erda _cYDXCP _dBTCTA _dBDX _dERASA _dUKMGB _dIAD _dOCO _dVP@ _dOCLCQ _dCDX _dAAL _dCGP _dFOLLT _dYNK _dOCLCF _dP4I _dCHVBK _dOCLCO _dNYWWB _dOCLCQ _dUKBOL _dDZA _dAU |
||
| 049 | _aAlfaisal Main Library | ||
| 050 | 4 |
_aTR15 _b.M27 2012 |
|
| 100 | 1 | _aMarien, Mary Warner. | |
| 245 | 1 | 0 |
_a100 ideas that changed photography / _cMary Warner Marien. |
| 246 | 3 | _aOne hundred ideas that changed photography | |
| 260 | _c©2012 | ||
| 264 | 1 |
_aLondon : _bLaurence King, _c©2012 |
|
| 300 |
_a216 p: _billustrations (some color) ; _c27 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 504 | _aIncludes bibliographical references (pages 210-211) and index. | ||
| 505 | 0 | _aThe camera obscura -- The latent image -- Direct positive images -- Negative/postive -- The daguerreotype -- Exploration -- The calotype -- The nude -- The lens -- The shutter -- Aesthetics -- The cyanotype -- Collodion -- Cropping -- The darkroom -- Painting the picture -- The stereoscope -- The view -- War -- Moving pictures -- Enlargement -- Supports -- Color -- Photo-sculpture -- Moralizing -- The Academie -- Cartes de visite -- The gum bichromate process -- Platinum prints -- Pinhole cameras -- Likeness -- The tintype -- Evidence -- Evolution -- Albumen paper -- Narrative -- Backgrounds -- Leisure travel -- Photographic societies -- Photo-sharing -- Gelatin silver prints -- Small cameras -- Tabloids -- The autochrome -- Postcards -- Projection -- Artificial light -- Focus -- Stopping time -- Halftone -- Roll film -- Sequences -- Image factories -- Aerial photography -- Macro/micro -- The people's art -- The Photo-secession -- Equivalents -- Collecting -- Pictures that sell -- Photographic agencies -- The SLR -- The decisive moment -- Multiple exposures -- Photo booths -- Photojournalism -- Abstraction -- Straight photography -- Cameras for kids -- Solarization -- Sporting scenes -- Image objects -- Film und foto -- The photogram -- Cut-and-paste -- Fashion -- Self-portrait -- Glamour -- Documentary expression -- The outsider -- The street -- Invisible light -- The surreal -- The Polaroid -- Kodachrome -- Television -- New topographics -- Photo-realism -- Outskirts and enclaves -- The snapshot aesthetic -- The theoretical turn -- Camera phones -- Fabricated to be photographed -- Concrete photography -- Photo-conceptualism -- The photographer's eye -- Appropriation -- Photo/video -- Digital photography -- GIS. | |
| 520 | 8 | _aThis compelling book chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond. Entertaining and intelligent, it provides a fascinating resource to dip into. | |
| 650 | 0 |
_aPhotography _xHistory. |
|
| 650 | 0 |
_aPhotography _xTechnique. |
|
| 655 | 7 |
_aHistory. _2fast |
|
| 655 | 0 |
_aPrint books. _2local _94 |
|
| 942 |
_2lcc _cBOOKS |
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