000 03323cam a2200325Ii 4500
999 _c595742
_d595742
001 772692257
003 US-DLC
005 20200113090456.0
008 120113s2012 enka b 001 0 eng d
020 _a9781856697965
020 _z1856697967
035 _a(OCoLC)772692257
040 _aYDXCP
_beng
_erda
_cYDXCP
_dBTCTA
_dBDX
_dERASA
_dUKMGB
_dIAD
_dOCO
_dVP@
_dOCLCQ
_dCDX
_dAAL
_dCGP
_dFOLLT
_dYNK
_dOCLCF
_dP4I
_dCHVBK
_dOCLCO
_dNYWWB
_dOCLCQ
_dUKBOL
_dDZA
_dAU
049 _aAlfaisal Main Library
050 4 _aTR15
_b.M27 2012
100 1 _aMarien, Mary Warner.
245 1 0 _a100 ideas that changed photography /
_cMary Warner Marien.
246 3 _aOne hundred ideas that changed photography
260 _c©2012
264 1 _aLondon :
_bLaurence King,
_c©2012
300 _a216 p:
_billustrations (some color) ;
_c27 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references (pages 210-211) and index.
505 0 _aThe camera obscura -- The latent image -- Direct positive images -- Negative/postive -- The daguerreotype -- Exploration -- The calotype -- The nude -- The lens -- The shutter -- Aesthetics -- The cyanotype -- Collodion -- Cropping -- The darkroom -- Painting the picture -- The stereoscope -- The view -- War -- Moving pictures -- Enlargement -- Supports -- Color -- Photo-sculpture -- Moralizing -- The Academie -- Cartes de visite -- The gum bichromate process -- Platinum prints -- Pinhole cameras -- Likeness -- The tintype -- Evidence -- Evolution -- Albumen paper -- Narrative -- Backgrounds -- Leisure travel -- Photographic societies -- Photo-sharing -- Gelatin silver prints -- Small cameras -- Tabloids -- The autochrome -- Postcards -- Projection -- Artificial light -- Focus -- Stopping time -- Halftone -- Roll film -- Sequences -- Image factories -- Aerial photography -- Macro/micro -- The people's art -- The Photo-secession -- Equivalents -- Collecting -- Pictures that sell -- Photographic agencies -- The SLR -- The decisive moment -- Multiple exposures -- Photo booths -- Photojournalism -- Abstraction -- Straight photography -- Cameras for kids -- Solarization -- Sporting scenes -- Image objects -- Film und foto -- The photogram -- Cut-and-paste -- Fashion -- Self-portrait -- Glamour -- Documentary expression -- The outsider -- The street -- Invisible light -- The surreal -- The Polaroid -- Kodachrome -- Television -- New topographics -- Photo-realism -- Outskirts and enclaves -- The snapshot aesthetic -- The theoretical turn -- Camera phones -- Fabricated to be photographed -- Concrete photography -- Photo-conceptualism -- The photographer's eye -- Appropriation -- Photo/video -- Digital photography -- GIS.
520 8 _aThis compelling book chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond. Entertaining and intelligent, it provides a fascinating resource to dip into.
650 0 _aPhotography
_xHistory.
650 0 _aPhotography
_xTechnique.
655 7 _aHistory.
_2fast
655 0 _aPrint books.
_2local
_94
942 _2lcc
_cBOOKS